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Ayrton Mistral-S and MA3 for Creative’s Summer Shows Posted on Monday, March 4th, 2019For several months Dave Jackson, Managing Director of Creative Productions, had been searching for the ideal spot fixture to replace aging Chinese stock the business started with.“Obviously as business has grown and we’re doing better jobs, we wanted a respected brand,” began Dave. “It also had to be small, lightweight and punchy.

We looked at several brands but it wasn’t until the Ayrton Mistral-S was launched that we knew we had found the ideal fixture. It simply ticked all the boxes.”The Mistral-S is the high output version of Ayrton’s popular Mistral-TC spot luminaire. At 18.6kg and a compact size, Mistral-S outputs a spectacular 17,000lm which aligns it with an 800W/1000W discharge fixtures. The Mistral-S is designed for scenic applications and is equipped with a new LED module, delivering powerful metallic white light and a colour temperature of 6500 K.As soon as the sixteen Mistral-S arrived at Creative’s headquarters, Dave took them on the road with The Wombats and admits he fell in love with them.“They’re on all of my riders now!” he laughed. “With The Wombats they were spread across three trusses and were all onstage. It’s a wash-heavy show but the Mistral-S fixtures were great for key-lighting and doing big breakup looks. We had a 12m x 6m LED screen onstage and the Mistral-S just cut through it with ease.

They blasted through the video and blasted through the wash too.”Dave further commented that with four Mistral-S to a case, they packed well into the truck.Creative Productions were also amongst the first Australian companies to purchase an MA Lighting grandMA3 full size, with their console being delivered whilst Managing Director Dave Jackson was on the road with The Wombats.“I had our grandMA2 out with The Wombats but immediately switched to the grandMA3 mid-tour,” he revealed. “There were no issues, the show was cloned and loaded perfectly.

It was a little bit challenging in terms of finding buttons but I soon got used to the different layout.”Dave commented that he particularly likes the way that MA have reimagined the key pads, encoders and faders.“Even just hitting the key pads feels a lot nicer on the hands,” he added. “The displays are great, big with a matt finish.”. Supervising Technician – Lighting Posted on Sunday, March 3rd, 2019A rare and exciting opportunity to join our Technical Team on a full-time basis. Interacting with both commercial and community hirers, this role will supervise technical staff by assuming the role of technician in charge for nominated shows and events. This role will assist in ensuring that lighting equipment is maintained to a high standard and that technicians have the skills to operate lighting and other theatre equipment effectively and safely. This role works closely with the Technical Coordinator assisting with cost estimates, pre-production meetings and coordinating hirer requirements.

Woohah Productions join ALIA Posted on Friday, March 1st, 2019Woohah Productions provide a one-stop-shop solution for all of your professional audio visual equipment needs. Their extensive inventory of equipment is coupled with a talented roster of qualified technicians to produce technical solutions for events, both big and small. Woohah pride themselves on finding creative solutions for their client’s needs, through a ‘can-do’ attitude and a deep understanding of the technical elements of event production.Benefits of joining ALIA include:Recognition within the industryAccess to free posting on the site (jobs, projects, new gear etc)Sharing of your material on the ALIA facebook siteFree access to ALIA eventsA banner on the front page of ALIABasically, you feed us your news and we’ll get it out there!For more information, please contact Cat. Michael Zagarn couldn’t resist MA3 Posted on Friday, March 1st, 2019Michael Zagarn is the latest lighting professional to purchase an MA Lighting MA3 full-size console saying he has always been impressed with the MA range.“Suddenly there was the right product at the right time and it was a no brainer,” he commented.

“My older consoles had paid themselves off and it was time to buy something more updated. Switching to MA was not difficult, as really all consoles do the same thing, it’s more about how it interfaces with the operator.”Michael noted that the fact that the last series of MA consoles, the MA2 range lasted ten years really attracted him to the platform as realistically the MA3 range could do the same.“I’ve had the console out on a few events and I have found it simple to use,” he added. “Once you’ve set it up to how you want it to work, it works flawlessly and the build quality is great.”Michael stated that the amazing support from Show Technology, with this purchase and in the past, was a key factor in purchasing the console.Michael’s acquisition of an MA3 is a long-term investment for him and he has no doubt that the MA3 will soon be on everyone’s rider. AV Technician Posted on Thursday, February 28th, 2019HME Services Pty Ltd is an industry leader in providing engineered solutions to the entertainment world.

Our “one stop shop” business philosophy means we work on some of the most interesting and prestigious projects in Australia. Sibos 2018: TDC delivers advanced video expertise Posted on Thursday, February 28th, 2019Sibos (the SWIFT International Banking Operations Seminar) is an annual banking and financial conference that has been convened in cities around the world since 1978, attracting more than 7,000 visitors who work in financial markets who participate as exhibitors and attendees and discuss issues relevant to the financial industry. In October 2018, Sibos came to Sydney for the third time, celebrating the event’s 40 th birthday.A prestigious conference of this magnitude demands the best in audiovisual support – so experience marketing agency George P. Johnson (GPJ) turned to TDC – Technical Direction Company. The brief was to deliver video solutions for the keynote addresses as well as six conference rooms.“Sibos 2006 seemed to leave an impact on our industry for years, so when GPJ contacted us nearly two years ago to say Sibos was coming to Sydney again, we immediately started putting resources aside to support this impressive event,” said Finn Coffill, project manager for TDC.Extensive resourcesThat was just as well. An event of this size and profile requires extensive resources in terms of both equipment and people.

There was, 160 square metres of ROE Carbon 3mm LED screens – yet only half of the stock owned by TDC. A further 70 square metres of ROE Black Onyx 3mm LED panels were also deployed.

To enable the large audiences to view presentations in detail, TDC used four Sony HD broadcast cameras as well as 12 Panasonic HD PTZ cameras. ‘Behind the scenes’ were Barco processors and expansion units, all fully loaded with the latest Barco tri-combo in/out cards – and no fewer than eight Dataton WATCHOUT media servers.“Thanks to the ingenuity and careful system design by Matt Teale, our Technical Project Manager, the client’s briefed system design was reconsidered, and we increased our inventory of Barco Event Master processors,” Coffill continued. “The benefits were extensive: reduced control area footprint, reduced operator count, simplified control and redundancy, and reduced hire cost. Furthermore, the challenging projection designs were replaced with LED, saving space and, surprisingly, thanks to our highly competitive LED pricing model, money.”Experienced team“The keynotes were all about the LED,” recalled Coffill, “As the stage opening was completely filled with an eye-catching design of descending arches. Balancing the brightness and temperature of the LED screens with the stage lighting for camera – both for IMAG and broadcast – takes an experienced team.

Thankfully, with our decades of TV studio experience, this was nothing new to us, and was completed before our client even cast an eye over it.”That experienced team included no fewer than 27 operators – with one remarking that Sibos 2018 was one of the most comfortable corporate shows he had ever done. Over 2,600 crew hours were spent onsite.Faultless“Corporate events of this size don’t come to town every day, or even every year, ”smiled Coffill, “and despite this overlapping with many other large projects for us – not least the Invictus Games opening ceremony – the team planned, coordinated and delivered a faultless show. It was a feat of design and coordination by our clients, and a huge team of Australia’s best suppliers – as well as suppliers from around the world – worked incredibly well to deliver a successful event.”“We would like to thank and congratulate the ICC Sydney venue, all the talented suppliers, our own tireless teams of technicians, crewing coordinators, warehouse coordinators, service technicians and, most of all, our client George P. Johnson,” he concluded. Antari F7 Smaze Posted on Thursday, February 28th, 2019Designed for large venue, the F7 Smaze machine offers the all-in-one solution for your needs.With its switchable Fog and Faze mode, the machine is capable produces strong powerful fog or thin layer of haze to fill up the venue in mins.Equip with our latest air pump technology enabling self-cleaning feature also produce fine dry fog.

The built in adjustable fan allows you to direct the fog easily.Versatile control option includes Wireless DMX, DMX and stand alone to meet any control needs. Designed into a road case make this tour ready unit to be transport at ease.SpecificationVoltage: AC 240VPower Consumption: 1600WWarm Up Time: 8 mins (approx.)Fluid Consumption: Fog Mode: 140 ml?min (100% output), Faze Mode: 28 ml?min (100% output)Fluid Tank Capacity: 5 litersFluid: Antari FLG LiquidOperating Time: MAX. Output Fog Mode: 35 min, MAX. Output Faze Mode: 2.8 hrOutput: Fog Mode: 23,000 cu.ft?min, Faze Mode: 6,000 cu.ft?minControl: Volume and Timer Mode, DMX 512, W-DMXDMX Channels: 3 ChannelsWeight: 52.5 KgDimensions (mm): L 728 W 428 H 719Australian Distributor: Event Lighting. AV Service Technician Posted on Thursday, February 28th, 2019. Highly respected Audio Visual integration company. Outstanding opportunity to build on your experience.

Have the morning off! Afternoon/evening shiftInSight Systems is the leading provider of audiovisual technologies in Australia. Offering a full range of audiovisual solutions and services, InSight Systems ensures clients experience technology in a way that enhances their lives and makes the world a better place.We have an innovative, fun and inclusive culture. TES increase Inventory with Show Technology Posted on Wednesday, February 27th, 2019Technical Event Solutions (TES) provide comprehensive event solutions throughout Christchurch and the South Island of New Zealand. Over the past few months they have increased their stock of Show Technology gear starting with four Martin RUSH MH7 and twelve MH6 fixtures.“As the work has increased, we’ve purchased more gear as we need it including ShowPRO LED Blinders and ShowPRO Fusion PARs,” commented Alexander Wilson, Director of TES. “James and I have also sold quite a bit of ShowPRO gear to various clients.

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It’s a great range of products that are reliable and affordable.Alexander has been particularly impressed by the RUSH MH7 saying the amount of looks they are able to create with one fitting is great and it means their clients are getting much better value for money.“We’ve thrown them at quite a wide range of shows from bar gigs to outdoor events and they’ve been rock solid,” he added. “The throw on them is insane and the zoom range is very impressive.

VuePix Infiled and Domaine Chandon Posted on Wednesday, February 27th, 2019Domaine Chandon – flying the flag as the only Australian sparkling specialist with genuine French heritage – has recently undergone a major upgrade of their facilities, which included a brand new VuePix Infiled LED wall installed in their wine exhibit space.In June of 2018, the team at Alaud creative studio reached out to our partners at Vision One to collaborate on an audio visual project for their client Domaine Chandon. And the Vision One creative team was ready to sparkle!Working closely with the VuePix Infiled team to specify the very best solution for the client, the Vision One team installed a breathtaking 4m x 1.5m QE series LED wall display with a 2.6mm pixel pitch into the venue. The QE series lightweight panels allowed for a quick and easy installation of a seamless display. Featuring high brightness LEDs, the new VuePix Infiled LED wall delivered a stunning visual performance as part of the Chandon wine exhibit. The custom content for the screen was created by Alaud studio and is distributed via a Novastar Taurus Series TB6 Multimedia Player. The LED wall system provides an easy front service access for future maintenance.Located in Melbourne’s prestigious Yarra Valley, Domaine Chandon is one of the leaders of the Australian sparkling wine market, exclusively producing sparkling wines from the traditional Champagne varieties of Chardonnay, Pinot Noir and Pinot Meunier. The Chandon wines couple Australian expertise with 250 years of Champagne history in every bottle.

The Chandon wine makers pride themselves on pairing innovation with the traditional alchemy of bubbles. The Vision One team delivered exactly the same with this project – first class innovative LED technology for the client’s wine tradition exhibit. ArKaos MediaMaster 5 with Performance Boost Posted on Tuesday, February 26th, 2019ArKaos, the leading real-time visual processing technology provider for live performance and spectacular displays of all types, releases a performance boost to its flagship MediaMaster 5 real-time video control software platform.The new software version (v5.4) will boost rendering and performance of this powerful and flexible control system by 33% utilising the same hardware.

Woohah supply Vision for Ultra Music Festival Melbourne Posted on Tuesday, February 26th, 2019WooHah Productions supplied all things vision for the inaugural Ultra Music Festival in Australia. Held at Flemington Racecourse, Melbourne kicked off the Ultra Festival run for 2019. Working closely with the production management team, WooHah was able to bring the concept to life. ENTTEC LED Mapper (ELM) Software Update Announced Posted on Tuesday, February 26th, 2019ENTTEC announces new features are here for everybody to enjoy with the latest release of the ELM software update, available for download now from the ENTTEC LED Mapper (ELM) page on the URL below.The latest version 413 installer supersedes the previous installer, Version 383.ENTTEC LED Mapper (ELM)’s popular audio functionality has been given a significant overhaul.

With the addition of 20 audio-reactive eye-candy effects, users now have access to more than 100 high quality built-in effects. Other cool features include:. Drive eye-candy effects with audio. Eight audio input channels.

Per-channel high/low frequency control. Per-channel volume control. ASIO support for minimum latency. Activate via remote HTTP or OSC APITo improve the rendering of fast-paced effects on low resolution LED matrices, the option to add blur across all pixels has been added and can be applied on a per-stage basis to suit each area of the user’s installation. This is perfect for giving content smoother edges and improving dimming across the user’s LEDs.ELM can now handle more media slots, allowing up to 255 locations to add the user’s media, generative effects, and live video input sources.To improve the mapping workflow, a button has been added to reverse the control points for each of the user’s strips. This is handy if the strip has been physically installed the opposite way to a user’s original plan.

Simply right-click on the first control point of a strip (the green one) and select the “reverse points” menu item. Problem solved!Furthermore, image snapshots of the positions of the LEDs on stages can be exported in png format directly from ELM. This is incredibly useful for motion designers as they can use the snapshot as a content guide. Users can find the new “LED snapshot” button under the stage tab, just next to the monitor button.For better synchronization across multiple DMX nodes, sACN sync has been implemented and can be enabled or disabled at any time.For improved performance, network usage and discovery, the NDI SDK has been updated to version 3.8.As usual, this update is free for all existing ELM license-holders, so ENTTEC encourages users to download it from the links below (or via the ELM page) as soon as they can, and start playing with some of these amazing new features. For an in-depth run-down of what’s new or changed, see the release notes. Intense Lighting go Rogue again with CHAUVET Posted on Monday, February 25th, 2019When Intense Lighting had to go to the market looking to expand their ever-growing lighting inventory there was one brand of lighting fixtures the company knew would be both reliable and have the necessary features to serve their various cliental needs and that is CHAUVET Professional.That is why Ian Gerrard, Managing Director of Intense Lighting went straight to Showtools International recently with the need to acquire some LED moving washes.

With having already acquired the CHAUVET Professional Rogue moving head fixtures with great success, Ian acquired another 24x Rogue R2 Washes to bring his Rogue inventory to over 80 fixtures.“The CHAUVET Professional range of fixtures offer a thoughtful, forward-looking, carefully focused selection of products that open new design possibilities and make it easier to complete projects and installs to service all our client’s needs,” stated Ian.“The Rogue and Maverick range of fixtures provide us the reliability we need with the output and the features a real highlight,” Ian continued. “The fixtures provide great colour, movement and effects and basically do everything we ask for them. “From the output of the moving heads to the punchiness of the beams and with the Ovation range redefining standards in theatrical lighting, the CHAUVET Professional range deliver increased efficiency, enhanced performance and unparalleled value for Intense Lighting. With the return of investment being fantastic it was a no brainer when we needed some new washes, that we acquired the Rogue R2 Wash.”The Rogue R2 Wash is both durable and dependable according to Ian, “This moving wash workhorse produces a bright, powerful light and offers five zones of LED control to pixel map its 19 (15 W) RGBW quad-LEDs. A major highlight is the standout zoom range of 12° to 49° that gives us the spread to cover even the largest areas, along with colors, which provide a continuous flow of fresh looks. The zoom and saturated colors of the R2 Wash really stood out for me.

In addition, the smooth color mixing and fast, smooth pan and tilt movement round out the impressive feature list for the R2 Wash.”From the very humble beginnings of the very first purchase to now owning 300 CHAUVET Professional fixtures, Ian and his team at Intense Lighting have their client’s needs covered. The company’s lighting inventory includes moving heads, wash lights, static pars, profiles, fresnels and more from CHAUVET Professional that cover applications from large events, installs to theatres. Seven ESTA Technical Standards in Review Posted on Monday, February 25th, 2019Seven documents — six draft standards and one informational book — are posted on the ESTA Technical Standards Program (TSP) website for public review through April 8, 2019.

All are available at no cost at estalink.us/pr courtesy of ProSight Specialty Insurance. In alphanumeric order, they are:BSR E1.6-3, Selection and Use of Serially Manufactured Chain Hoists in the Entertainment Industry — ANSI E1.6-3-2012 is being revised.

It is one of a four-part set of standards covering motorized rigging used in the entertainment and special events industry. This standard addresses minimum safety requirements for the selection and use of serially manufactured chain hoists, having capacity of two tons or less. The standard is being updated to address outdated references, errors, and new technologies.BSR ES1.9, Crowd Management — This standard is part of a suite of standards currently in development to address requirements for special event safety.

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It defines “crowd management” as distinguished from “crowd control,” provides an overview of crowd management theory, and applies this theory to reasonably foreseeable risks associated with live events. The standard identifies minimum standards and requirements, and provides suggestions to help event organizers make reasonable choices for their events.BSR E1.21, Temporary Structures Used for Technical Production of Outdoor Entertainment Events — ANSI E1.21-2013 is being revised to enhance the requirements for operations management plans, designated person responsibilities, and related requirements. Eurovision – Australia Decides Posted on Friday, February 22nd, 2019Eurovision – Australia Decides, produced by Blink TV for the SBS network, was held at the Gold Coast Convention and Exhibition Centre and was broadcast live to air.As with anything Eurovison, it was all about the spectacle with lighting designer Paul Collison tasked with delivering a bold and bright show with a fraction of the 3000 fixtures we see on the Eurovision finals!“It needed to be BIG,” confirmed PC. “Mark Dyson designed a beautiful set that was cosy for the performers, but allowed us to expand the scenic workspace well beyond just the stage. We created lighting positions all around the perimeter of the floor and added concentric rings of truss and light above the set. Then of course there’s the standard TV requirements of lighting the audience and creating an ambience out in the room.”PC used the GCCEC’s in-house Claypaky Axcor 600 Profiles to augment the room lighting adding that he found them very impressive.“We actually used them to light several host positions too, which I didn’t think we would be doing, and they were great,” said PC. High End Systems Rolls Out Hog 4-18 and OS v3.11 Posted on Friday, February 22nd, 2019High End Systems is pleased to announce the release of their new flagship console Hog 4-18, along with new OS v3.11 software.

Additionally, the company has entered a new partnership with Capture visualization software.The Hog 4-18 console upgrades the popular Hog 4 with 18.5” touch screens, and an updated industrial design with aluminum encoder knobs and integrated accessory mounts. Outputting 8,192 channels (expandable with DP8K processors), Hog 4-18 has eight XLR-5 DMX outputs, sACN and Art-Net, MIDI and dual etherCON connections for HogNet and FixtureNet. The desk features five high-resolution parameter encoders, built-in tri-axis backlit trackball and 10 master playbacks with motorized faders and master control keys.

Up to three external display port monitors or touchscreen monitors can be used.Hog 3.11 OS includes several significant updates, with support for the Hog 4-18 console hardware, an increase to 12 universes of output for Hog 4 PC, additional Plot icons and improved indication of current cue in cue list window. Other small enhancements include changing the “Fixture Schedule” button to “Add Fixtures” to simplify patching, sorting manufacturers “User” and “Generic” to the top of the list in Fixture Scheduler to reduce scrolling, CITP support for Hippotizer Layer v4.4 and various bug fixes.Finally, High End Systems is changing the Hog family’s included visualizer to a Capture lighting design software license at the solo, duet or quartet level, depending on the Hog console purchased. These are standard Capture licenses that can be upgraded to higher levels in the standard way.Senior Product Manager Sarah Clausen commented, “We are happy to see Hog 4-18 consoles already on their way to customers, and hope the v3.11 software release, including an upgrade for all Hog 4 PC users to 12 universes of standalone output potential, pleases all Hog users.”Australian Distributor: Lexair. Claypaky adopts ArKaos Kling-Net for new HY B-EYE Series Posted on Friday, February 22nd, 2019Leading Italian lighting manufacturer Claypaky announces its commitment to ArKaos’s powerful Kling-Net protocol, which will now be embedded in its newest HY B-EYE product line.Giovanni Zucchinali, Claypaky’s Product Portfolio Manager, explained that “as the current and future requirements of lighting and visual design are so dynamic and fast-moving, lighting designers, programmers and operators need the most flexible and creative tools at their fingertips.

We see a strong trend for one of those future developments being moving heads and pixel fixtures increasingly working in conjunction with video content”.He goes on the explain that the new Claypaky HY B-EYE K25 and HY B-EYE K15 recently introduced to the market, are supplied with ArKaos Kling-Net as standard and already included in the firmware.“This new and interesting feature greatly expands the already rich effects of the HY B-EYE range, making it an even more versatile and practical luminaire” comments ArKaos CEO Marco Hinic. Review: Claypaky Axcor Profile 400 Posted on Thursday, February 21st, 2019by Craig RutherfordTo take a forward-looking view of the state of the lighting industry circa early 2019, one must almost certainly come to the obvious conclusion: that arc-based sources are in their sunset years. Unlike incandescent sources before them — whose demise was more gradual in part because certain segments of our industry entertained an almost magical belief about the quality of that light source — arc lamps are, for the most part, being supplanted by a technology that provides a nearly equivalent experience to discharge sources, without any of the hassles.

LEDs last longer, run cooler, have less onerous disposal requirements, are less susceptible to shock, and have greater color stability across fixtures than arc sources. There are exceptions, but I think it’s fair to say the vast majority of shows these days are going out with LED lighting of some sort, and more and more are using hard-edged fixtures with LED engines providing the light.To read the full review go to:Australian Distributor: Show Technology. 2 x variable time positions – 20 hours per week average.

Band 2.1.07 – $55,580 per annum pro rata. CBD locationArts Centre Melbourne is casting for the next talented individual to join our ensemble.

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We are seeking passionate and motivated individuals to bring their skills and experience to assist in the delivery and success of productions.About usAt Arts Centre Melbourne, we bring people together for remarkable experiences. Sitting beneath our iconic Spire, we’re Australia’s largest and busiest performing arts centre. As a cultural and architectural landmark in Melbourne, our nation’s cultural capital, we’ve showcased the best of Australian and international performing arts for nearly 40 years.

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